Goat’s first album, 2012’s World Music, fused African music, psychedelia and elaborately costumed Swedish eccentricity. Their gigs were like rituals – hence Commune, album number two, a title probably more verb than noun. Appropriately, Talk to God finds Goat’s female vocalist chanting alongside some heady guitar runs. It’s fair to say that Goat have not really recalibrated since World Music – there’s a dash more Turkish psychedelic folk here, a mite more tempo variety there. But Commune is every bit as immersive. You get the feeling that Goat could just keep this sinuous groove going forever.