John Keenan 

John Lodge obituary

Moody Blues bass player, singer and songwriter who played a key part in the group’s successes during the 1960s and 70s
  
  

John Lodge playing at Cadogan Hall in London in 2019.
John Lodge playing at Cadogan Hall in London in 2019. Photograph: Prog/Future Publishing/Getty Images

The Moody Blues were a spectacularly successful band known for grandiose lyrics and flamboyant musical arrangements, but the deadpan title of their 1973 chart hit I’m Just A Singer (in a Rock and Roll Band) summed up the self-effacing approach of their songwriter, John Lodge.

As the band’s co-lead vocalist and bass player, Lodge, who has died aged 82, was the antithesis of the wild rocker, largely resisting the hedonistic temptations that accompanied stardom in the 1960s and 70s and making no bones about his commitment to family and evangelical Christianity.

Lodge was a member of the Moody Blues for 50 years, writing or co-writing many of their songs, including Isn’t Life Strange, Gemini Dream, Ride My See-Saw, House of Four Doors, Candle of Life and Send Me No Wine. The band sold 70m albums globally and collected 18 platinum and gold discs. 

They had already enjoyed chart success in the UK and US with a cover of the song Go Now! by the time Lodge joined in 1966. Their original vocalist, Denny Laine, and bass player, Clint Warwick, both left the band following the release of a debut album, The Magnificent Moodies, and Lodge was recruited as a replacement along with guitarist and singer Justin Hayward. Lodge’s falsetto harmonies provided a compelling foil for Hayward’s baritone voice.

The first album recorded by the new lineup, Days of Future Passed (1967) is now regarded as a groundbreaking contribution to the psychedelic rock genre. The involvement of the London Festival Orchestra was evidence of the band’s flirtation with prog rock, although they never shed their pop sensibilities, crafting strong melodies and eschewing the lengthy solos of their prog contemporaries. The standout track on the album was Nights in White Satin, written by Hayward.

Many years later Lodge said: “Before we made Days of Future Passed we were singing songs that originated in America and, having never been there, it seemed like a really strange thing to do – singing about a country or an environment I had no first-hand knowledge of. That’s why we said, ‘OK, let’s write about English blues. Let’s write about us. Blues is about people and whatever goes on in their lives.’ That’s what Days of Future Passed is.”

High sales and critical approbation followed, with a succession of albums including In Search of the Lost Chord (1968), On the Threshold of a Dream (1969, a UK No 1) and To Our Children’s Children (1969). In the new decade, when the critical tide turned against progressive rock bands in favour of the emerging glam acts, fans stayed with the “Moodies”, propelling A Question of Balance (1970) and Every Good Boy Deserves Favour (1971) to No 1 spots in the UK. Seventh Sojourn (1972) featured two top 40 hits written by Lodge – Isn’t Life Strange and I’m Just a Singer (in a Rock and Roll Band). 

The Moody Blues performing I’m Just a Singer (in a Rock and Roll Band)

Following a lengthy world tour in 1974 the band decided they all needed a break from each other. Lodge and Hayward continued to work together, however, releasing a collaborative album, Blue Jays (1975), which peaked at No 4 in the UK and No 16 in the US. A solo album from Lodge, Natural Avenue (1977), reached No 38 in the UK.

Born in Birmingham, John was the son of Olive (nee Crane) and Charles Lodge. He grew up in the suburb of Birches Green, attended the city’s Central grammar school and then studied engineering at the local technical college (now part of Birmingham City University). Along with classmate and future Moody Blues flute player Ray Thomas, he formed a band called El Riot and the Rebels, which played gigs around the area. Mike Pinder, keyboards and Mellotron player with the Moody Blues, was also a member of that band.

Thomas and Pinder eventually moved to London, where, with Laine, Warwick, and Graeme Edge, they formed the fledgling Moody Blues lineup. Lodge remained in Birmingham to complete his engineering studies, joining the band in the mid-60s shake up.

After their four-year pause in the late 70s, the classic Moodies line up got back together to record Octave (1976) and then Long Distance Voyager (1981), which went to No 1 in the US and reached No 7 in the UK. The lead single, the Lodge-penned Gemini Dream, peaked at No 12 in the US but did not chart in the UK. In 2015 Lodge released his second solo album, 10,000 Light Years Ago, which featured Pinder and Thomas.

Lodge was a supporter of Birmingham City football club, a wine enthusiast who launched his own label, Krisemma, and a keen golfer who collaborated on an audio cassette that aimed to help others improve their game.

He credited his religious convictions, which he had gained from an early age, with keeping him on an even keel across his career. “I grew up through an evangelical church, and the more I talked to people the more I realised all the things I’d learned at church were relevant – and what everyone was looking for,” he said. “The 60s was a crazy time in rock’n’roll, and you could have really gone to extremes in everything. But I found I had this inner strength that seemed to see me through a lot of things.”

He married Kirsten Wright in 1968. She survives him, along with their children, Emily and Kristian, and grandson John-Henry.

• John Charles Lodge, musician, born 20 July 1943; died 10 October 2025

 

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