Kitty Empire 

Zsela: Big for You review – modern R&B with a leisurely, old-school charm

The American singer’s buttery voice comes to the fore on an arresting debut in styles ranging from Kate Bush to the Boss
  
  

Zsela: ‘husky lower register’
Zsela: ‘husky lower register’. Photograph: Rob Kulisek

Singer-songwriter Zsela (“zhay-la”) Thompson has a husky lower register like a ripe fruit, one with few ready equivalents in 2024. Her approach on this debut album is both arrestingly old school and totally up to date, given the shake-up artists such as Beyoncé or Willow are giving to already creaking notions of genre participation.

On Big for You, the sequel to a well-received 2020 EP, the LA-based Thompson smears that rich voice across a range of styles, maintaining a leisurely pace and continuity of mood even as the approaches evolve. You can hear Thompson’s Brooklyn childhood, spent listening to her mother’s Joni Mitchell and Kate Bush records, run through a more modern R&B production filter on tracks such as Fire Excape [sic] or Brand New (her co-producers have Frank Ocean, FKA twigs and War on Drugs credits; her father, meanwhile, records as Chocolate Genius).

The standout track Lily of the Nile, meanwhile, sounds like Bruce Springsteen, while Not Your Angel is leftfield pop. Low-key guests on this intriguing record range from veteran guitarist Marc Ribot (Tom Waits) to the post-genre Nick Hakim. The star, though, remains Zsela’s buttery voice, perhaps most effective accompanied by unadorned guitar and swelling atmospherics on Watersprite, or piano and percussion on Moth Dance.

Watch the video for Fire Excape.
 

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