Paul Lester 

Latitude festival 2012 – review

Dexys were dapper, Lana Del Rey exuded class, and Lang Lang was an esoteric delight, writes Paul Lester
  
  

Lana Del Rey at Latitude 2012
'Her charisma was off the scale' … Lana Del Rey at Latitude 2012. Photograph: Andy Sheppard/Redferns via Getty Images Photograph: Andy Sheppard/Redferns via Getty Images

It might have been the muddiest but the seventh Latitude festival was also the best, a fact already evident on Friday, with excellent acts from vintage must-sees to critics' favourites and fast-rising hipsters.

Despite the weather, Dexys were dapper in their wide-brimmed hats and high-waisted trousers. There is such good feeling about their return few seemed to mind that the performance focused on the new album. Janelle Monaé's retro-futurist soul was impressive, even if it did feel more like a showcase for old styles than a signpost towards funk's future.

Considering Latitude's reputation as a child-friendly festival, there wasn't much music for kids – perhaps why Lana Del Rey elicited such big teen screams. Exuding film-noir class, her voice was fine and her charisma off the scale.

Latitude's new band booker was spot-on. Alt-J – contenders for this year's Mercury prize – thrilled with their idiosyncratic mix of dubstep, folk and indie. Metronomy's crisp electro-pop and Bon Iver's wistful harmony rock proved a fine end to Friday.

Saturday opened with the mellow soul of Lianne La Havas, and there was a good turnout for Daryl Hall: Maneater and Out of Touch offered the kind of glossy US radio pop to which every Brooklyn blog band aspires, and Rumer joined him for Sara Smile. Django Django – along with Alt-J the electronic/indie band to watch – played to a packed crowd, and SBTRKT, the masked man of "post-dubstep", turned the Word (RIP) tent into London club FWD>>. Elbow closed Saturday with music for festival dads, climaxing with a firework display at odds with their dour anthemic rock.

Sunday's lineup was strong, but could have benefited from more urban acts to dispel criticisms that Latitude is middle-aged/middle-class. Alabama Shakes' blues rock was powerful, pianist Lang Lang an esoteric delight. It was left to Wild Beasts and Paul Weller to bring the curtain down on a festival that is starting to feel like a serious alternative to Glastonbury.

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