Paul Lester 

No 345: Tigercity

New band of the day: The greatest coup of today's new band might be the way they take the best bits from really awful 80s acts and compress them into new shapes
  
  

Tigercity
Tigercity ... taking their love of Hall & Oates into the studio Photograph: PR

Hometown: Brooklyn, NYC.

The lineup: Bill Gillim (vocals, guitar), Joel Ford (bass, keyboards, vocals), Aynsley Powell (drums), Andrew Brady (guitar).

The background: Not long ago, American alt-rock bible Spin put Hall & Oates on the cover, with the headline "Why Hall & Oates are the New Velvet Underground", because everyone from Death Cab for Cutie to Band of Horses has been worshipping at the mega-selling 80s duo's altar. Tigercity have taken their love of H&O - and Yacht Rock, the US variant on Guilty Pleasures, i.e. soft-rock acts like Toto and Boz Scaggs - into the studio, where they've attempted to capture the high-gloss sound, smooth rhythms and irresistible choruses of American 80s chart-pop.

And they've done it really well. They're not the first: Zoot Woman, featuring Madonna's producer Stuart Price, tried this sort of thing at the start of the decade. Then last year rumours began circulating that Canadian retro-electrofunk duo Chromeo were about to collaborate with H&O, while Palladium took rolled-up jacket-sleeve pop to unironic extremes, although the fact that they got dropped by Virgin last month doesn't augur too well for anyone purveying this type of shimmery-keyboards, R&B-tinged, bright'n'shiny disco-pop.

Tigercity, who've had the Rolling Stone seal of approval ("Our new favourite band," they wrote earlier this year), are arguably the most accomplished H&O wannabes ever. They come from Brooklyn, which, like Glasgow in the 80s, would appear to be a city divided by a love of drone-rock and disco, CBGBs and Studio 54, the Velvet Underground and Chic. Because, for every bunch of black-clad Strokes wannabes feigning ennui and murmuring over slovenly played three-chord riff-punk, there's a more colourfully attired group in thrall to super-produced funk-pop that strains for the high notes and strives for the slick musicianship and sleek, airbrushed sound of the all-time chart greats.

They have the most impeccable taste in the history of MySpace. Look at their list of influences: Prince, Talking Heads, Daft Punk, the Cars, Prefab Sprout, David Bowie, Chic, Earth Wind & Fire, Roxy Music, the Beach Boys, Kraftwerk, Steely Dan, Hall & Oates, Scritti Politti. Not bad, eh? Ok, the Cars we could have done without, but otherwise - perfect. Interesting that they should go for Roxy Music - if anything, their track Red Lips sounds like late-period Roxy, long after Eno had gone, when they were at their most windswept and wan, circa Avalon. Singer Gillim even does a passable imitation of the languid and languorous Ferry croon. Elsewhere, it's Barry Gibb (or Prince) in full falsetto mode.

But forget all that cool stuff: Tigercity's greatest coup might be the way they take all the best bits from those really awful 80s bands like Foreigner and Air Supply - a guitar lick here, a drum pattern there - and compress them into new synth-funk shapes, with surfaces so polished Tubbs & Crockett could use them as mirrors. Are You Sensation, for example, features an INXS-ish choppy-guitar dance-rock pattern, and the lyrics about how "my body keeps on moving" are seriously suspect, but the whole thing is Alessi-ishly immaculate, all billowing textures and breathy, androgynous harmonies. We've heard half a dozen tracks from their debut album, and they're all this catchy and sublimely crafted. But somehow we suspect that their very sonic and conceptual immaculacy will mean Tigercity become a cause celebre for pop theorists not the general public.

The buzz: "This is Hall & Oates for the non-ironic set ... Hot disco licks with enough of a rock edge to let you know they mean it."

The truth: Unless you count the Feeling, we can't recall a successful Guilty Pleasures band, so we fear Tigercity are just going to get ecstatic reviews.

Most likely to: Sound good during a Miami Vice love scene.

Least likely to: Shift as many units as Hall & Oates, the biggest-selling singles act of the 80s.

What to buy: Pretend Not to Love is released by Strange Feeling on September 8, preceded on August 26 by the single Solitary Man.

File next to: Palladium, Zoot Woman, Das Pop, Hall & Oates.

Links: www.myspace.com/tigercity

Tomorrow's new band: Golden Silvers.

 

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