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Robyn: Dopamine review – complex emotions, instant euphoria: no wonder pop’s A-list love her

After 2018’s mellow Honey, the beloved Swede’s heady comeback pairs production worthy of Daft Punk and Moroder with deep romantic realism

A night to remember: does everyone really prefer live music to sex?

Seven out of 10 people surveyed by Live Nation would pick a concert over sex. Given our dating and ticketing hellscapes it is interesting to consider which is the more reliable pleasure

AC/DC review – a thrilling show stuffed with classics … and your eardrums will never be the same

In the band’s ‘ancestral homeland’, Accadacca’s first Australian concert in a decade shows Angus Young is still a frenzied force to be reckoned with

Addison Rae review – glorious fantasy from pop’s newest star

With a wedding dress and a giant crystal chandelier, the TikToker-turned-pop wunderkind’s live show is a welcome breath of escapism

Charli xcx: House ft John Cale review – haunt me, then! An elegant, brutal taste of the Wuthering Heights OST

Featuring a lugubrious monologue from the Velvet Underground legend, its jagged strings are more reminiscent of that band than anything on Brat

Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity

Chart-topping singer-songwriter adds to his previous support of charity that works on behalf of small UK venues

‘Most of it was the conga preset on Prince’s drum machine’: how Fine Young Cannibals made She Drives Me Crazy

‘Prince’s Purple Rain guitar was in the corner of the studio and his lava lamps were everywhere. You couldn’t help but be inspired’

Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday

The perma-sunglassed singer tries to transport himself and the audience to a higher plane, culminating in a cathartic sing-along like a gigantic Last Night of the Proms

Grammys 2026: the nominations in all the major categories

With big numbers for Kendrick Lamar, Lady Gaga, Bad Bunny and more, check out the nominated artists this year

The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

The latest themed album from John Darnielle’s band – with some help from Lin-Manuel Miranda – takes them on a sumptuously crafted and surprisingly upbeat voyage to a desert island

A voice that still carries: Aimee Mann’s greatest songs – ranked!

Thirty years on from the release of her acclaimed album I’m With Stupid, we count down the sucker-punching best tracks by the US singer-songwriter

Michael: first trailer unveiled for controversial Michael Jackson biopic

Star will be played by the real-life singer’s nephew Jaafar Jackson in a film that will ‘humanise but not sanitise’ him

Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever

After five decades, the songs are still memorable, warm and a little sex-mad. It’s classic Kelly – and Joe’s back, too

Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity

Eschewing the fairyfloss hooks of her earlier work, the Australian’s third album is both more mature and less immediately palatable

Radiohead review – bards of the apocalypse return for a brutal bacchanal

Powered by a pounding rhythm section, the crowd dance to even the tricksiest drum patterns at Radiohead’s first gig in seven years – one that demonstrates the pure joy this band can bring

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← Older posts
  • JJJJJerome Ellis: Vesper Sparrow review – shape-shifting composer taps the musical potential of their stutter
  • Not so Golden Brown: DJ plays 24-hours of No 2s in Lake District sewage protest
  • Le Poème Harmonique: Hail! Bright Cecilia album review – Purcell’s ode shines in luxurious French recording
  • Experience: I played the trumpet for 25 hours straight
  • AI slop tops Billboard and Spotify charts as synthetic music spreads
  • Schubert 4 Hands album review – affectionately searching accounts from two pianists in emotional synergy
  • Bavarian Radio SO/Rattle review – consistently fine and fervent playing
  • Robyn: Dopamine review – complex emotions, instant euphoria: no wonder pop’s A-list love her
  • A night to remember: does everyone really prefer live music to sex?
  • British music stars urge Starmer to tackle ‘pernicious’ ticket tout websites
  • AC/DC review – a thrilling show stuffed with classics … and your eardrums will never be the same
  • Christmas Karma review – Dickens adaptation has as much Yuletide spirit as a dead rat in the eggnog
  • Canada pushes to join Eurovision: ‘This is about protecting our identity’
  • Adele to make acting debut in star-studded Tom Ford movie
  • Haftbefehl shows that Germany loves art born from alienation – just not the people who create it
  • Harley Flanagan: Wired for Chaos review – riotous life story of hardcore punk godhead
  • Addison Rae review – glorious fantasy from pop’s newest star
  • British music industry adds record £8bn to UK economy, according to UK Music
  • Kiss guitarist Ace Frehley died after fall, autopsy finds
  • ChatGPT violated copyright law by ‘learning’ from song lyrics, German court rules
  • Charli xcx: House ft John Cale review – haunt me, then! An elegant, brutal taste of the Wuthering Heights OST
  • ‘I can see a world where Spotify doesn’t exist’: will a new generation of music streaming companies succeed?
  • Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity
  • ‘Most of it was the conga preset on Prince’s drum machine’: how Fine Young Cannibals made She Drives Me Crazy
  • ‘We never had much fun – we were angry’: Eve Libertine on life with anarcho-punk pioneers Crass
  • Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due
  • BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • ‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation
  • ‘Anastacia is a big inspiration for me – raspy, raw and heartfelt’: Ella Eyre’s honest playlist

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