Jamie Thomson 

Rush: Clockwork Angels – review

Remarkably for what is the band’s 19th studio album, Clockwork Angels never sounds dated, writes Jamie Thomson
  
  

Rush on a sofa
Prog at its most refined ... Rush. Photograph: Andrew Macnaughtan Photograph: Andrew Macnaughtan/PR

It may come as a surprise to casual observers that this is Rush's first concept album in over 30 years, given they might reasonably assume the Canadian prog overlords only release concept albums. And for fans of 2112, their conceptual opus from 1976, Clockwork Angel's narrative about "an individual trying to follow his dreams in a dystopian future" will seem rather familiar – but this isn't a mere reboot. Yes, there is the complex musicality of prog at its most refined (Caravan, Headlong Flight) nestling beside emotive AOR anthems (The Wreckers), but – remarkably for what is the band's 19th studio album – Clockwork Angels never sounds dated. Indeed, the churning, chunky riff on BU2B wouldn't sound out of place on a Mastodon record. While it might not have the immediacy of their previous release, Snakes and Arrows, this is the three-piece's most solid and compelling set of songs in years. Those who worship at the temple of Rush will be in raptures; for those who remain agnostic, there may well be enough here to justify a leap of faith.

 

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